MARK COUSINS

In this wide-ranging, stylish and iconoclastic book, Cousins reflects on his prolific career in filmmaking, meditating on the actors, directors, films, writers and philosophers that have influenced him, as well as on other adventures in filmland and on creativity in general.

SLAVENKA DRAKULIĆ

It is 1914, the eve of the First World War. Mileva Einstein has just arrived in Berlin with her two young sons to join her husband, the most celebrated scientist of the 20th century, Albert Einstein. He has finally found a university position worthy of his talents.

And then Mileva then receives a letter from him outlining “Conditions” he expects her to uphold in order to continue their relationship, and her already difficult life is completely upended.

IVANA SAJKO

The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure.

IVANA ŠOJAT

The novel Unterstadt tells the story of an urban family of German origin living in Osijek from the end of the nineteenth till the end of the twentieth century. It is narrated through the portrayal of the destinies of four generations of women – a great grandmother, a grandmother, mother, and a daughter – their shattered illusions, the education of their children, the historical events that brutally lash out at them.

GERARD McCARTHY

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. McCarthy’s writing is no less distinguished than Butler’s.

SLAVENKA DRAKULIĆ

Invisible Woman and Other Stories takes us on an intimate journey of ageing, from the shock of catching a glimpse of ourselves in the mirror as others see us to the actual slipping away of the self. The stories speak of reckonings: with the illness and death of a parent, with the emotional baggage that must be cleared out along with the material remains, with memories and missed opportunities, and with the waning of desire.

Shortlisted for the European Bank of Reconstruction and Development Literature Prize 2023.