CATHAL Ó SEARCAIGH

In Errigal: Sacred Mountain, Ó Searcaigh (one of Ireland’s most celebrated poets, in both Irish and English) goes on a pilgrim path around Errigal and – in the active meditation of walking – summons up the spirit of this revered mountain, the largest in Ireland. In his “Passages of Light” as he calls them, we get a vivid and an insightful word-journey around a mountain that has shaped the thinking of one of the most eminent poets in the Irish language.

CIARÁN O’ROURKE

Longlisted for the Swansea University Dylan Thomas Prize 2023

With lyric grace and meditative clarity, Phantom Gang offers a daring dissection of civilizational violence in a variety of contexts – from the intimate atavisms and inequalities of Irish history to the insidious growth of the global Big Tech economy in the present day – alongside deep, sensually delicate explorations of broken love and salvaged memories.

Translated from the Greek

CHRIS PREDDLE

Here are Sappho’s songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho’s Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho’s themes, her art and style, and her historical setting.

CHRIS AGEE

A decade after Next to Nothing, Chris Agee’s critically acclaimed and achingly powerful collection of poems in memory of his daughter Miriam, Blue Sandbar Moon explores with delicate precision the emotional and spiritual landscape of a life sustained in “the aftermath of aftermath.” Consisting mainly of 174 untitled, interconnected short poems, the collection evolves with technical grace and meditative clarity to present a holistic and searching vision of worlds in motion – both public and private, natural and imagined, the seen and the sensed.

CATHAL Ó SEARCAIGH

Crann na Teanga/The Language Tree is a collection that enriches our understanding of the turbulent times we live in. In this long “life in poetry” (books from 1975 to the present), Ó Searcaigh is lifted emotionally and imaginatively beyond his own life into the life of all, into our common cosmic existence.