MARK COUSINS

In this wide-ranging, stylish and iconoclastic book, Cousins reflects on his prolific career in filmmaking, meditating on the actors, directors, films, writers and philosophers that have influenced him, as well as on other adventures in filmland and on creativity in general.

DINO PEŠUT

Croatia’s Groundbreaking Gay Novel.

“I receive the news of my father’s grave illness with almost complete indifference. I’m finding it mildly annoying, like road construction… He called me just briefly; he doesn’t want to bother me too much. I’m at work right now. I hang up. I’m furious at my father’s potentially terminal illness. I work at the reception desk of an okay hotel… My job is not demanding—often it’s boring, but it keeps my curiosity alive. I especially like working the evening shifts and figuring out who is sleeping with whom. At night, I get to read a lot. Secretly, I write poetry.”

IVANA SAJKO

The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure.

GERARD McCARTHY

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. McCarthy’s writing is no less distinguished than Butler’s.

MADDY TONGUE, with Michael and Sarah Longley & Chris Agee

Maddy Tongue’s heartfelt portrait of the dancer and teacher Helen Lewis, who survived Auschwitz to teach dance in Belfast.

IGOR ŠTIKS

Igor Štiks’ fourth novel, mysteriously titled with only one letter, W, is his most elaborate so far – and definitely his most exciting – a feat of storytelling in which historic tragedies are woven through with humour and erotic passion.

LUKA BEKAVAC

August After Midnight is a Croatian novel about memory, trauma and transcommunication: a triptych of different voices, weaving together historiography, speculative fiction and highly stylized prose.