60 LYRICS FRAE THE CHINESE:Translations in Scots and English
BRIAN HOLTON
Brian Holton is unique in that he can translate directly into Scots from the Chinese. This anthology consists of translations into Scots and English of the first sixty poems of the standard anthology Song Ci Sanbaishou (“300 Sòng Dynasty Song Lyrics”), edited by Zhu Zumou (1924), with a Translator’s Afterword/Owresetter’s Eftirword.
CIARÁN O’ROURKE
Longlisted for the Swansea University Dylan Thomas Prize 2023
With lyric grace and meditative clarity, Phantom Gang offers a daring dissection of civilizational violence in a variety of contexts – from the intimate atavisms and inequalities of Irish history to the insidious growth of the global Big Tech economy in the present day – alongside deep, sensually delicate explorations of broken love and salvaged memories.
Translated from the Greek
CHRIS PREDDLE
Here are Sappho’s songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho’s Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho’s themes, her art and style, and her historical setting.
SLAVENKA DRAKULIĆ
Invisible Woman and Other Stories takes us on an intimate journey of ageing, from the shock of catching a glimpse of ourselves in the mirror as others see us to the actual slipping away of the self. The stories speak of reckonings: with the illness and death of a parent, with the emotional baggage that must be cleared out along with the material remains, with memories and missed opportunities, and with the waning of desire.
Shortlisted for the European Bank of Reconstruction and Development Literature Prize 2023.
SLAVENKA DRAKULIĆ
It is 1914, the eve of the First World War. Mileva Einstein has just arrived in Berlin with her two young sons to join her husband, the most celebrated scientist of the 20th century, Albert Einstein. He has finally found a university position worthy of his talents.
And then Mileva then receives a letter from him outlining “Conditions” he expects her to uphold in order to continue their relationship, and her already difficult life is completely upended.
IVANA SAJKO
The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure.
LUKA BEKAVAC
August After Midnight is a Croatian novel about memory, trauma and transcommunication: a triptych of different voices, weaving together historiography, speculative fiction and highly stylized prose.
DINO PEŠUT
Croatia’s Groundbreaking Gay Novel.
“I receive the news of my father’s grave illness with almost complete indifference. I’m finding it mildly annoying, like road construction… He called me just briefly; he doesn’t want to bother me too much. I’m at work right now. I hang up. I’m furious at my father’s potentially terminal illness. I work at the reception desk of an okay hotel… My job is not demanding—often it’s boring, but it keeps my curiosity alive. I especially like working the evening shifts and figuring out who is sleeping with whom. At night, I get to read a lot. Secretly, I write poetry.”
IGOR ŠTIKS
Igor Štiks’ fourth novel, mysteriously titled with only one letter, W, is his most elaborate so far – and definitely his most exciting – a feat of storytelling in which historic tragedies are woven through with humour and erotic passion.
IVANA ŠOJAT
The novel Unterstadt tells the story of an urban family of German origin living in Osijek from the end of the nineteenth till the end of the twentieth century. It is narrated through the portrayal of the destinies of four generations of women – a great grandmother, a grandmother, mother, and a daughter – their shattered illusions, the education of their children, the historical events that brutally lash out at them.
NEBOJŠA LUJANOVIĆ
When a fire at Zagreb’s Three Palms café tragically takes the life of the owner’s son, everyone joins the search for a culprit. And there can only be one: the young Roma man – Enis – employed as a waiter at the café.
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PATRICIA CRAIG
This long-awaited selection of essays and reviews from one of Ireland’s leading critics brings together a wealth of reflection, observation and astute literary comment. It ranges in time from William Carleton to Edna O’Brien, and in subject matter from recent Irish poetry to ghosts, children’s books and MI5.
CATHAL Ó SEARCAIGH
Crann na Teanga/The Language Tree is a collection that enriches our understanding of the turbulent times we live in. In this long “life in poetry” (books from 1975 to the present), Ó Searcaigh is lifted emotionally and imaginatively beyond his own life into the life of all, into our common cosmic existence.
MADDY TONGUE, with Michael and Sarah Longley & Chris Agee
Maddy Tongue’s heartfelt portrait of the dancer and teacher Helen Lewis, who survived Auschwitz to teach dance in Belfast.
CATHAL Ó SEARCAIGH
In Errigal: Sacred Mountain, Ó Searcaigh (one of Ireland’s most celebrated poets, in both Irish and English) goes on a pilgrim path around Errigal and – in the active meditation of walking – summons up the spirit of this revered mountain, the largest in Ireland. In his “Passages of Light” as he calls them, we get a vivid and an insightful word-journey around a mountain that has shaped the thinking of one of the most eminent poets in the Irish language.
